兽王

简介：天禾年间，天禁司首席侍神慕容锋捉拿叛逃天界的虎蛟。虎蛟在天牢意外被杀，而在赌坊逍遥的慕容锋却成了凶手。为还自己清白，慕容锋与唯一能为自己作证的凡间女子洛溪，一同前往天禁司，却不知道他们正在揭开天禁司禁地之中蠢蠢欲动的阴谋

简介：奇幻的古代甜宠故事。清纯美少女雪儿，醒来被五花大绑在古代的一个亭子里。而且，她的身份居然是临国送给大将军的伶工仆人。这时一位超级自恋超级帅气的将军出现在她面前，他就是在北方战场上厮杀南方敌军无数的武天祥。 雪儿便是他要找的人，可雪儿原本是现代人，每天生活在繁华的都市，下班后会上爱奇艺网站观看网剧，像其他20多岁的女白领一样，想找一个30岁的如意郎君、热爱生活，热爱运动，热爱她40岁的妈妈、50岁的爸爸。她不想嫁给武天祥。武天祥有时甜宠她，有时像霸道总裁，惊险刺激幽默搞笑，还对她虐心虐肺。两个人该怎么相处呢？雪儿又该怎么回到现代？武天祥狠了心非要娶到雪儿……

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莫妮卡·米勒是波士顿的一名急诊室执业护士，她全身心投入工作，四年没有休假，力求掌控自己的生活，从而提升职业发展。莫妮卡未能获得预期的晋升，她的新老板和母亲都鼓励她休假，更好地平衡工作与生活。莫妮卡的母亲建议她去圣地亚哥朝圣，她的父母就是在朝圣途中相识的。因此，莫妮卡必须学会放下掌控，学会如何优雅地接受帮助，才能体验圣地亚哥朝圣之路的一切。在康苏埃洛的带领下，莫妮卡的三人同行，包括埃内斯托、路易斯和马特奥，他们也是来自波士顿的祖父子三人组，但埃内斯托和路易斯在西班牙北部，靠近圣地亚哥朝圣之路的终点长大。离异的路易斯既要扮演父亲的角色，又要扮演儿子的角色，这让他感到很为难，而他觉得自己并没有做到，这也是他踏上朝圣之路的原因。一路上，莫妮卡和路易斯建立了浪漫的关系，他们必须弄清楚这是否符合他们各自朝圣的理由。

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简介：從五十年代中期開始，「電懋」和「邵氏」兩大公司已展開了激烈的競爭，這場逐鹿戰到了五九年「邵氏」紅星尤敏改投「電懋」旗下而推至白熱化。本片正是尤敏加盟「電懋」的第一部電影，即奪得翌年「亞洲影展」的最佳女主角獎。她在片中飾演溫柔而敏感的中學生，與父親（王引）相依為命，但未幾卻發現從意大利回來的姨母（王萊），竟是她的親母，但卻是她與另一男人所生，父親原來是養父。她要在跟隨母親到意大利學習聲樂與留在香港侍奉父親之間，作出痛苦的抉擇…影片的劇本寫得細緻而感人，尤敏對矛盾的內心掙扎掌握得十分準確，使全片的成績超越一般倫理劇的格局與層次。

简介：卡罗斯在一家理发店做帮工，独立日前夕遇到了客人胡里奥，四眼相对萌生情意。小店打烊后胡里奥回来寻找卡罗斯，两人在一起度过了美好的夜晚，尽管彼此都知道，这只是一阵注定短暂的心灵颤抖。

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暂无简介

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

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琉璃子（中谷美纪 饰）是一名泰迪熊艺术工作者，她与在IT公司上班的丈夫聪（大森南朋 饰）结婚三年有余，虽然是众人艳羡的一对模范夫妻。但实际上，这对幸福搭档却彼此过着同床异梦的生活。那种不说破的隔膜持续了整整两年：白天，聪去公司上班，而琉璃子在家制造泰迪熊；晚上，聪回到自己房间玩各种游戏，琉璃子有事叫他得依靠手机。更重要的是，彼此之间夫妻生活几乎被省略，各自在外面有秘密情人，并且想方设法编织着各种小谎言以维持真挚、甜蜜的夫妻关系。两人似乎都意识到了问题的严重性，但是这种剥离肉欲的纯粹精神关系又在琉璃子的细心打理下，变得如此坚固。这种橡皮婚姻的结局会怎样呢……                                                                      　　本片根据日本女作家江国香织的同名作品改编。

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影片主要讲述了一个东南亚某国学霸洁癖男爵和学渣气味癖女同桌的纯爱校园故事。男爵皇甫钧是博尼思雅成人商业培训学校精英班里的学霸，但由于洁癖和追求完美，成了“同桌杀手”人缘极差，致使他申请参加社团主席连年失败。皇甫钧想抓住毕业前最后一次竞选机会，接受竞争对手白宿安的挑战，与新同桌阮幂幂和平相处一个月。可是，草根女阮幂幂却是个性十足的学渣，还是个气味癖，各方面都是皇甫钧的克星，两人初次见面就闹了不愉快。皇甫钧一开始极力容忍阮幂幂的各种不良习性，并好心帮她纠正提高成绩，但都被小女同桌视为挑衅。皇甫钧不得不对阮幂幂各种“严管”，也遭到对方的花样反击。两人斗智斗勇中萌生了纯纯的爱恋，并在校花、白宿安和其未婚妻肖乔的插足下经历了一波三折的波澜，最后阮幂幂被陷害面临开除，皇甫钧设法帮阮幂幂自证清白，守护住了这个新同桌和初恋。

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天禾年间，天禁司首席侍神慕容锋捉拿叛逃天界的虎蛟。虎蛟在天牢意外被杀，而在赌坊逍遥的慕容锋却成了凶手。为还自己清白，慕容锋与唯一能为自己作证的凡间女子洛溪，一同前往天禁司，却不知道他们正在揭开天禁司禁地之中蠢蠢欲动的阴谋

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