命运呼叫转移

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简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

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琉璃子（中谷美纪 饰）是一名泰迪熊艺术工作者，她与在IT公司上班的丈夫聪（大森南朋 饰）结婚三年有余，虽然是众人艳羡的一对模范夫妻。但实际上，这对幸福搭档却彼此过着同床异梦的生活。那种不说破的隔膜持续了整整两年：白天，聪去公司上班，而琉璃子在家制造泰迪熊；晚上，聪回到自己房间玩各种游戏，琉璃子有事叫他得依靠手机。更重要的是，彼此之间夫妻生活几乎被省略，各自在外面有秘密情人，并且想方设法编织着各种小谎言以维持真挚、甜蜜的夫妻关系。两人似乎都意识到了问题的严重性，但是这种剥离肉欲的纯粹精神关系又在琉璃子的细心打理下，变得如此坚固。这种橡皮婚姻的结局会怎样呢……                                                                      　　本片根据日本女作家江国香织的同名作品改编。

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影片主要讲述了一个东南亚某国学霸洁癖男爵和学渣气味癖女同桌的纯爱校园故事。男爵皇甫钧是博尼思雅成人商业培训学校精英班里的学霸，但由于洁癖和追求完美，成了“同桌杀手”人缘极差，致使他申请参加社团主席连年失败。皇甫钧想抓住毕业前最后一次竞选机会，接受竞争对手白宿安的挑战，与新同桌阮幂幂和平相处一个月。可是，草根女阮幂幂却是个性十足的学渣，还是个气味癖，各方面都是皇甫钧的克星，两人初次见面就闹了不愉快。皇甫钧一开始极力容忍阮幂幂的各种不良习性，并好心帮她纠正提高成绩，但都被小女同桌视为挑衅。皇甫钧不得不对阮幂幂各种“严管”，也遭到对方的花样反击。两人斗智斗勇中萌生了纯纯的爱恋，并在校花、白宿安和其未婚妻肖乔的插足下经历了一波三折的波澜，最后阮幂幂被陷害面临开除，皇甫钧设法帮阮幂幂自证清白，守护住了这个新同桌和初恋。

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天禾年间，天禁司首席侍神慕容锋捉拿叛逃天界的虎蛟。虎蛟在天牢意外被杀，而在赌坊逍遥的慕容锋却成了凶手。为还自己清白，慕容锋与唯一能为自己作证的凡间女子洛溪，一同前往天禁司，却不知道他们正在揭开天禁司禁地之中蠢蠢欲动的阴谋

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秋穗巧（中村狮童饰）的妻子槚田泠（竹内结子饰）一年前去世，便和6岁的儿子佑司（武开证饰）过着相依为命的日子。妻子临终前跟他们说，翌年的雨季便会跟着雨点回来看他们。儿子深信母亲会在这个时候回来他们的身边，虽然秋穗巧知道这是一件很荒唐的事，却不忍心向儿子说。                                                                      　　雨季如期而至，父子竟然真的迎来了“重生”的泠，泠虽然失去了所有的记忆，就连自己的身份都不清楚，但她还是像以前一样无微不至的照顾父子俩。可雨不能总是下，雨季也有了结束的一天……

简介：故事是关于一个厨师，他有着一项高超的烹饪技能，那就是能使每个食客能对他的烹调有感觉。

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简和史蒂夫开车时，他们正谈论着退休后的生活，这时悲剧发生了。简开始回忆他们是如何相遇的，以及他们如何不得不克服父亲对她和士兵约会的厌恶。故事从过去跳转到现在，表明真爱可以持续一生，即使面临令人心碎的考验。它还表明，当悲剧发生时，一个家庭的信念和爱可以帮助他们继续前进。根据真实事件改编。

简介：Asli thinks marriage is a scam, and says so. But when her beau Kerem unexpectedly agrees, she goes to great lengths to manipulate him into proposing.

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迈克（萨姆·沃辛顿 Sam Worthington 饰）和乔安娜（凯拉·耐特丽 Keira Knightley 饰）是一对令人羡慕的年轻夫妻，迈克拥有安稳工作、乔安娜是自由作家，二人居于曼克顿的时尚住宅，生活无忧。两人出席迈克的工作派时，乔安娜发现新来的女同事罗拉（伊娃·门德斯 Eva Mendes 饰）对丈夫态度暧昧，心情不佳，而迈克对妻子反应亦不以为然。没过多久，迈克和罗拉一起去外地出差，同时心神不安的乔安娜则在曼哈顿街头巧遇了曾经深爱过的旧情人艾力克斯（吉约姆·卡内 Guillaume Canet 饰）。                                                                      　　在这一夜，迈克能够抵抗住美丽罗拉诱惑？乔安娜又会不会和艾力克斯旧情复燃？精神外遇或肉体外遇，哪一种出轨方式对婚姻杀伤力最大？这一对伴侣是否可以回到原来平静的生活？

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意大利米兰的瑞奇家族靠纺织业致富，在家长的寿宴上，爷爷将企业传给了儿子坦科雷德（加布里埃尔.费泽蒂 Gabriele Ferzetti 饰）和孙子爱德瓦多（弗拉维奥·帕伦蒂 Flavio Parenti 饰）。坦科雷德的俄国妻子艾玛（蒂尔达·斯维顿 Tilda Swinton 饰）酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥（爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰）之后，艾玛被安东尼奥高超的烹饪手艺所吸引，情不自禁坠入爱河。不仅如此，艾玛还必须隐瞒她偶然发现女儿伊丽莎白（阿尔芭·洛尔瓦彻Alba Rohrwacher 饰）是同性恋的事实。与此同时，家族的事业也在变迁，尽管爱德瓦多独力反对出售家族企业，却还是无法抵挡资本全球化大潮的冲击，并购势在必行。在探讨商务的晚宴上，一个意外打破了艾玛苦心枯守的表面平静，她的灵魂就要破茧而出……
　　本片获柏林国际电影节最佳女主角奖及科罗拉多博尔德国际电影节最佳影片奖。